—·Contents
All 86 sections
Taken from the booklet's own contents page, so the page numbers are the real
ones.
EXECUTIVE SUMMARY
—The Five Daily Non-Negotiablesp3
—The Architecture, at a Glancep4
THE CASE
01Art Is Not a Soft Subjectp5
02The National Picturep6
03Where Art Departments Driftp7
04What Ofsted Looks For in Artp8
THE THEORY
05How Skill Is Actually Learnedp9
06Independence Is Taught, Not Waited Forp10
07What “Personal Response” Actually Meansp11
THE PRACTICE — THE FIVE PILLARS
08The Five-Pillar Frameworkp12
09Pillar 1 — Curriculum: The Spinep13
10Pillar 2 — Craft: Showing, Not Settingp14
11Pillar 3 — From Copying to Responsep15
12Pillar 4 — Sketchbooks That Show Thinkingp16
13Pillar 5 — Knowing What Good Looks Likep17
SHOW, DON’T TELL — FOUR WAYS
14The Sketchbook Page, Four Waysp18
15Annotation, Four Waysp19
16Artist Research, Four Waysp20
17Developing Ideas, Four Waysp21
18Experimentation and Refinement, Four Waysp22
19The Final Outcome, Four Waysp23
THE OUTSTANDING ART LESSON
20What Makes an Outstanding Art Lesson?p24
21What Does Outstanding Practice Look Like?p25
ARTIST REFERENCE — TWENTY ARTISTS
22Portraiture & Identityp26
23Nature, Environment & Still Lifep27
24Architecture, Urban & Abstractp28
25Photography & Sculpturep29
26Mixed Media & Contemporaryp30
27Twenty Artists at a Glancep31
28Frida Kahlop32
29Lucian Freudp33
30Cindy Shermanp34
31Jean-Michel Basquiatp35
32Vincent van Goghp36
33Georgia O’Keeffep37
34Paul Cézannep38
35Giorgio Morandip39
36David Hockneyp40
37Rachel Whitereadp41
38Wassily Kandinskyp42
39Mark Rothkop43
40Man Rayp44
41Dorothea Langep45
42Henry Moorep46
43Barbara Hepworthp47
44Pablo Picassop48
45Robert Rauschenbergp49
46Banksyp50
47Yayoi Kusamap51
48Using an Artist Properlyp52
MEDIA, PROCESS AND TECHNIQUE
49Drawing and Observational Studyp53
50Colour, Tone and Paintingp54
51Print, Collage and Mixed Mediap55
52Photography, Digital and Graphicsp56
53Three-Dimensional Work, Ceramics and Textilesp57
GCSE ART & DESIGN
54GCSE: The Shape of the Coursep58
55Building the GCSE Portfoliop59
56The Externally Set Assignmentp60
57Where Marks Are Actually Lostp61
A LEVEL ART & DESIGN
58A Level: What Actually Changesp62
59The Personal Investigationp63
60The Written Personal Studyp64
61The A Level Externally Set Assignmentp65
THE FOUR EXAM BOARDS
62The Four Boards at a Glancep66
63AQAp67
64Pearson Edexcelp68
65OCRp69
66WJEC Eduqasp70
67Requirement or Recommendation?p71
MARKS — WHAT A GRADE LOOKS LIKE
68The Mark Bands, Comparedp72
69AQA — What a Mark Looks Likep73
70Pearson Edexcel — What a Mark Looks Likep74
71OCR — What a Mark Looks Likep75
72WJEC Eduqas — What a Mark Looks Likep76
ASSESSMENT & PROGRESS
73Assessing Against the Objectivesp77
74Moderation and Standardisationp78
75Tracking, Intervention and Stretchp79
EVERY ARTIST, EVERY ROOM
76SEND, Access and Every Artistp80
77The Artroom: Resources and Safetyp81
FOR LEADERS
78The Department Improvement Roadmapp82
79Quality Assurance Through the Yearp83
80Twelve Questions to Sit Withp84
THE TOOLKIT — PRINT & USE
81Template 1 — Department Self-Auditp85
82Template 2 — Sketchbook and Portfolio Reviewp86
83Template 3 — AO Evidence Trackerp87
84Template 4 — Moderation Record & the 45-Minute INSETp88
CLOSING
85The Work on the Wallp89
86References and Evidence Basep90